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ROF Lecture: Harlot or Housewife? 17th Century Women at the English Royal Court
Nov
21

ROF Lecture: Harlot or Housewife? 17th Century Women at the English Royal Court

 
Barbara Villiers, Countess of Castlemaine and Duchess of Cleveland as a Shepherdess, after William Sherwin ©National Trust Images.jpg

Harlot or Housewife? 17th Century Women at the English Royal Court

Presented by Angus Haldane

 

Powerful women have been regarded with fear and perceived as skillful manipulators ever since Pandora opened her box, Eve persuaded Adam to sample some fruit, and Cleopatra rolled out of a carpet at the feet of Caesar. English playwright and poet John Dryden may have hoped in 1661 for a world in which “every father govern’d as a King,” but reality for 17th century Restoration England women of the royal household was not easy. The court was hedonistic and dangerous. Cleavage and a quick wit were weapons to be employed for advancement and royal mistresses were often capable strategists, who invisibly influenced society. They were portrayed in portraits as either virtuous or lascivious—extreme ends of the moral spectrum. One of the most strategically astute mistresses and the favorite of Charles II was Barbara Villiers, Countess of Castlemaine, who was infamous for performing a sex act on a 14th-century mummified corpse of a bishop. Despite being deemed a “harlot”, she is rarely depicted in portraits as a seductress, but rather as a humble shepherdess or a religious figure. Frances Teresa Stuart, later Duchess of Richmond and Lennox, who seemed to have achieved the impossible in resisting the sexual advances of the King, is depicted as Diana the virgin huntress. The court of Charles II was extravagant, sensuous and treacherous, but it was also a place where ambitious female poets, artists, preachers (who sometimes preached naked) and actors, among others could excel. Art consultant and popular Royal Oak speaker Angus Haldane will illustrate the lives of notorious mistresses, faithful wives, and creative figures who set the court aflame with their intrigue, brazen manipulation and talent. Mr. Haldane will discuss the stories, vanities, gossip and political maneuvers behind their portraits and examine how the depictions of them as seductresses and sirens should be viewed through the filter of their roles and achievements.

AngusHaldane_150308_FILM_003.jpg

Angus Haldane is an independent curator, art historian and Director of Haldane Fine Art, an art dealership and consultancy based in Central London. Angus studied Classics at University College Oxford, specializing in history, literature and antique sculpture. After Oxford, Angus graduated from the Courtauld Institute with an MA in Byzantine and Early Renaissance art. He worked for many years as a senior specialist in paintings at Christie’s and Sotheby’s. He recently published his first book, titled Face of War: Portraits of the English Civil Wars and a second volume on the Portraiture of the American War of Revolution is forthcoming. Angus has appeared as an art commentator on the BBC and CNN.


A part of the Royal Oak Foundation's Spring 2019 Lecture Series.

Registration opens 21 August.
St. George’s Society members receive $10 OFF the standard ticket price! Contact us for discount code.

For more information, please call Kayla Smith at 212-480-2889, ext. 201.

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ROF Lecture: Prize Stallions and Beasts of Burden: The Horse and the English Country House
Oct
9

ROF Lecture: Prize Stallions and Beasts of Burden: The Horse and the English Country House

George Stubbs, RA, Hambletonian, Rubbing Down. Mount Stewart ©National Trust Images Chris Lacey

Prize Stallions and Beasts of Burden: The Horse and the English Country House

Presented by Dr. Oliver Cox

Horses are an integral part of English social, political, economic and cultural history. From the Middle Ages through to the aftermath of the WWI, they were used for agricultural development, the military, transportation, industry, and, of course, sport. Horses were crucial to sustaining life in the English country house. Horsepower brought stone to build the house, pulled the wagons filled with art expressing the owner’s taste and sophistication, pulled the ploughs that farmed the estate, and most importantly carried house guests who marveled at these symbols of power and influence. Until the early years of the 20th century, without horses the country house would have ceased to function. As a result, stables were often as elegant as the main dwelling—such as the Robert Adam designed stable at Kedleston. Artworks displayed in country houses also revealed a fascination with horses, and especially for horse racing. Horse racing has always been one of Britain’s most popular sports. Horse racing attracted the full spectrum of British class and society who went to the races to gamble and socialize, to plot and scheme, and to flirt and fight. In his richly-illustrated lecture, Oxford historian Dr. Oliver Cox, will talk about the long history of horses and the English country house, while leading us on a tour of some of Britain’s grandest country houses, with stops at the iconic sporting spectacles of The Derby, Royal Ascot and the Cheltenham Festival. Looking beyond the top hats and fascinators, Oliver will explore the roots of the British love for horses and horse racing while showing great houses, from Mount Stewart in Northern Ireland to Wimpole Hall in Cambridgeshire.

Dr. Oliver Cox is Heritage Engagement Fellow at the University of Oxford, where he is responsible for developing strategic partnerships with the UK and international heritage sector. Oliver is co-lead of the Oxford University Heritage Network, and part of the team delivering the university’s strategic partnership with the National Trust. Oliver also advises privately-owned country houses on how to develop research partnerships and has recently acted as a historical advisor to Chatsworth House Trust. Oliver is a historian by training and received his undergraduate, masters and doctoral degrees from the University of Oxford. Oliver’s recent publications include contributions to The Country House Past, Present and Future: Great Houses of the British Isles (supported by The Royal Oak Foundation), The Country House: Sport & Leisure (2019) and academic journal articles exploring the politics of horse racing in eighteenth-century Britain.


A part of the Royal Oak Foundation's Fall 2019 Lecture Series.

Registration opens 21 August.
St. George’s Society members receive $10 OFF the standard ticket price! Contact us for discount code.

For more information, please call Kayla Smith at 212-480-2889, ext. 201.

View Event →